This diptych by Cassandre Albert presents an exploration of landscape at the border between abstraction and figuration. The two canvases, painted in a range of translucent greens, evoke mountainous or mineral forms—at once massive and ethereal. The contours remain open, and the volumes seem to dissolve into or emerge from the white background, heightening the sense of suspension and indeterminacy.

The central theme of the diptych revolves around the perception of landscape as a mental and sensory space. Here, Cassandre Albert offers a vision of the terrain not as a fixed reality, but as a shifting territory shaped by memory, imagination, and light. The sketched structures recall both natural formations and human architectures, emphasizing the porous boundary between nature and construction, between the real world and inner projection.

This painting features a footbridge with vivid red railings, suspended above a glacier whose melting is suggested by the presence of turquoise water. The composition, pared down to its essentials, plays with verticality and transparency: the footbridge appears to float in an undefined space, while drips and reflections extend its presence into the water. The deep blue of the sky contrasts with the aquatic light, creating an atmosphere that is both serene and unsettling.

The central theme remains that of passage and the boundary between two worlds: the timber footbridge, a recurring motif in Cassandre Albert’s work, here symbolizes the connection between reality and imagination, human and nature. The stylized water flowing from the glacier, along with its distorted reflections, reinforces the idea of a changing landscape, in which everything seems both stable and fleeting. This painting invites silent contemplation, where color and light become the carriers of a sensory and poetic experience of the mountain landscape.

This painting by Cassandre Albert depicts a footbridge with vivid red lines, suspended above a turquoise watery surface, set against a deep blue sky. The work plays on the boundary between reality and imagination: the bridge, an architectural element, appears to float in an undefined space, while drips and transparencies accentuate the dreamlike and unstable quality of the scene.

The central theme of the painting questions the relationship between humans and the landscape, particularly the way human constructions are inscribed within a shifting and vulnerable natural environment. In the background, a melting glacier can be glimpsed through milky hues and ethereal forms; its discreet but poignant presence reinforces the idea of a threatened balance.

Cassandre Albert invites the viewer to a sensory and contemplative experience. Light, color, and painterly matter express the tension between solidity and dissolution, between the visible and the invisible. This landscape, both familiar and enigmatic, offers a reflection on perception, memory, and the transformation of places. In this composition, everything seems poised to tip over, as if suspended in a moment of uncertainty—that of a world in flux.

In this piece, Cassandre Albert orchestrates an encounter between the mountain and the human trace. Her palette—deep blues, acidic greens, incandescent reds—creates a universe in which frameworks and structures sometimes merge with, sometimes oppose, the tormented rock.

The architecture enters into dialogue with the mineral chaos, revealing an underlying tension between control and surrender. This work invites the viewer to cross the boundary of reality and venture into an interior landscape—a territory marked by the hand of man, who shapes, fragments, and traverses it, but never fully dominates it: mystery persists, ambiguity takes hold, and dreamlike qualities open a space of freedom for the viewer.

This stained glass piece by Cassandre Albert extends her exploration of mountain landscapes by translating her research into three-dimensional form. The composition, intentionally fragmented, brings together abstract, polychrome shapes—reds, yellows, greens, and oranges—within an oak framework.

This structure, dense and vigorous, oscillates between architectural framework and mountain ridge. The straight lines of the wood evoke suspended walkways or support beams, while the expanses of colored glass unfold like a mental geology made up of faults, reliefs, and flows. In certain areas uniting the whole, a clear putty hugs the contours of the glass: its matte, almost chalky whiteness sometimes recalls residual snow clinging to the crevices of the landscape.

This stained glass creates a tension between the apparent stability of human-made form and the shifting plasticity of the landscape. The filtered light animates the entire piece, suggesting a material in perpetual metamorphosis. The landscape becomes a traversable surface, a zone of friction between control and drift.

Cassandre Albert’s work here sketches a passageway between the tangible and the sensitive. This piece does not merely illustrate a landscape; it offers a reinterpretation. It opens a threshold—not as a site of distant contemplation, but as an active space in which light itself becomes the revealer of an ongoing transformation.